Полуживой полумёртвый не может выйти. Одиссея 1992

Тайлбар

Two directors begin casting a film about the 1990s, which gradually devolves into a space of uncertainty where the distinction between document and fiction disappears. This subtle disruption in the process—the appearance of a single actor obsessed with "accuracy"—leads to a loss of control and implicates them. At the edge of this experience, between life and death, both directors find themselves inside their own, never-made film.